The best regional crime fiction in Britain

The first novel in the DS Max Craigie series.Neil is an ex-police detective, and it shows in this series.

The whole book just sings with authenticity on every page. There are some complex procedural aspects to the story, but you get the sense that you’re following a genuine investigation, one which is far more detailed (and interesting) than in a standard police procedural.

DS Max Craigie is a compelling character. His PTSD, plus flashbacks to the causes of his condition, are handled with delicacy and are not used to turn the emotional screws. They feel convincing, and Craigie is an unusually intelligent and imaginative lead. On a personal note, Neil also helped me with various details on police investigations for my own writing, so thanks Neil!

I’ve read all the books in the series, and they just get better. But start here with book 1. A top-drawer thriller.

The first in the Matilda Darke crime thriller series.

I love the straight-up tone of Michael’s writing in this series. It’s fast, direct, and emotionally involved. He also provides plots which are absorbing and which differ markedly from one book to the next.

Matilda Darke herself is a complex character, with an equally complex life, and a varied circle of friends and colleagues. Throughout the series she is put through all kinds of hell. And there are already 11 books, so that’s plenty of hell!

Set in Sheffield, a city in the north of England, these are authentic, contemporary crime novels that you will not want to put down.

Dominic wrote two very good crime books in a short series before publishing Vine Street.

I am including Vine Street on my list because, although it’s set in London and is therefore not ‘regional’, it was one of the great crime novels of 2021-22 and deserves to become a classic. I read this book before it was published, and I knew, like everyone else, that it was something special.

The story spans almost a century, from the seedy streets of London’s Soho in the 1930s, until the present day. There are some really well-researched and vividly depicted descriptions of police investigations in the 30s, and just for that it’s worth a read. But there’s also a twisting, mesmerizing plot that takes us all the way to the present.

What really distinguishes Vine Street, though, is the writing itself, which seems to echo the rhythms of the 1930s jazz clubs, and somehow manages to evoke the confusing, chaotic mystery that weaves through the pages, all 600 of them! 

When Peter Robinson passed away in 2022, he had written 28 novels in the Detective Chief Inspector Alan Banks series.

Robinson needs no introduction here, but I have included him on this list because he sets these novels in a fictional town in the Yorkshire Dales, close to where I grew up, and also because he was very encouraging to me personally when I wrote my first Joe Romano novel.

Whereas the books are very much mainstream crime novels, they also have a literary quality to them. He manages to achieve a fine balance between genre fiction and a more literary style. You often forget that you’re reading crime at all.

The series was also made into TV series (DCI Banks) starring Stephen Tompkinson, which ran for five series, and really captures the essence of the books.

Based in Bradford, in the north of England, Liz’s fiction is gritty and really conveys the realities of this multi-racial, post-industrial city (I grew up a few miles away).

I’m listing Last Request because it was the first book by Liz that I read. But apart from the 6 books in the DS Nikita Parakh series, she’s also written eight novels (so far!) in the DI Gus McGuire series. There’s lots of inner-city grime in the writing, but also issues such as racial tension and mental health.

More importantly, I think, is that the writing has a compelling kind of humanity, with vulnerable, imperfect characters put into impossible situations. She’s just a natural storyteller.